| ARTH 101-01 |
An Introduction to the History of Art
Instructor: Melinda Schlitt
Course Description:
This course is a critical survey of western art beginning with the Ancient Near East (approximately 4000 B.C.) through the Gothic period in Europe (early 1300s). Emphasis will be placed on the analysis of style, subject-matter, and function within an historical context, and especially on the student's ability to develop skills in visual analysis. Developing appropriate vocabularies with which to discuss and analyze works of art and imagery will also be stressed, along with learning to evaluate scholarly interpretations of them.
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09:30 AM-10:20 AM, MWF
WEISS 235 |
| ARTH 102-01 |
An Introduction to the History of Art
Instructor: Ty Vanover
Course Description:
This course surveys art of the European renaissance through the contemporary period. Art will be examined within the historical context in which it was produced, with attention to contemporary social, political, religious, and intellectual movements. Students will examine the meaning and function of art within the different historical periods. In addition, students will learn to analyze and identify different artistic styles.
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09:00 AM-10:15 AM, TR
EASTC 411 |
| ARTH 122-01 |
Fundamentals of Composition and Drawing
Instructor: Emily Lehman
Course Description:
Working from observation and using a variety of media, this basic studio drawing course will explore issues common to both representational and non-representational art. This course serves as the foundation to upper-level two-dimensional offerings.
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01:30 PM-03:29 PM, MW
WEISS 343 |
| ARTH 202-01 |
Reality, Idealism, Beauty, and Power: Topics in the Art & Architecture of Ancient Greece and Rome
Instructor: Melinda Schlitt
Course Description:
Cross-listed with ARCH 202-01. How can we understand the representation of reality, idealism, beauty, and power in the cultures of ancient Greece and Rome through studying their art and architecture? How can these issues in ancient art illuminate our understanding of the visual and structural expression of human experience? In this course, we will examine major monuments in painting, sculpture, and architecture in both cultures from a variety of interpretive perspectives through which they have been addressed in primary sources and scholarly literature. Students will study and analyze textual, art-historical, and archaeological readings of these monuments and compare the strengths and weaknesses of the authors' arguments in terms of methodological approach and evidence. In addition, the authors' cultural assumptions, interpretive premises, and ideological goals (if any) will also be addressed in attempting to understand how these works of art have acquired a particular meaning over time and what constitutes that meaning. Students will also acquire competency in recognizing and analyzing diverse stylistic initiatives and their aesthetic significance. This course is cross-listed as ARCH 202.Offered every year.
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11:30 AM-12:20 PM, MWF
WEISS 221 |
| ARTH 205-01 |
Gender and Sexuality in Modern European Art
Instructor: Ty Vanover
Course Description:
Cross-listed with WGSS 201-02. This course offers an introduction to modern European art from roughly 1800 to 1945 with a marked focus on the ways that art pictured, responded to, and subverted gender roles and conceptions of sexuality. In particular, we will examine how widespread social changes (urbanization, class formation), political developments (nationalism, socialism, fascism), and scientific developments (sexual science, psychoanalysis) incited shifts in how European artists conceived of their identities and positionalities. We will supplement canonical texts in feminist and gender theory with recent interventions in queer, trans, and post-colonial theory to arrive at a historically grounded understanding of gender and sex in modern art. Together, we will consider depictions of sex work in post-Impressionist art, sexual "primitivism" and the Black model, masculinity in Expressionist art, and trans approaches to modern art, among other topics, in order to rethink traditional art historical approaches to the modern canon. No prior experience in Art History or Women's, Gender and Sexuality Studies is required.
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01:30 PM-02:45 PM, MR
WEISS 221 |
| ARTH 205-02 |
Japanese Architecture
Instructor: Wei Ren
Course Description:
Cross-listed with EASN 205-02. This course is intended to introduce students to the scholarly study of Japanese architecture and urbanism, covering both the premodern and modern eras. Each session will be devoted to the examination of one significant Japanese architectural site, coupled with an important concept or methodological concern in the study of the Japanese built environment. The sites and issues chosen for study are intended to provide students with a broad knowledge base with which to pursue further studies in architectural history, design history, environmental history, and East Asian history. Participants will be introduced to each of the major typologies of Japanese architecture: shrines, temples, imperial villas, castles, tea houses, merchant houses (machiya), and farm houses (minka), as well as the two of the most historically significant city forms in the archipelago, the imperial grid city and the castle town. In addition, the nature and culture of advanced timber-frame architecture will be studied from the vantage point of design, engineering, source materials and process, as well as the sustainability issues inherent to the materials. More general themes that inform the course throughout include the relationship of architecture to the natural landscape, historical and contemporary issues of sustainability, the concept and design of the city, and the significance of the body.
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01:30 PM-02:45 PM, TF
BOSLER 314 |
| ARTH 209-01 |
The Japanese Woodblock Print
Instructor: Wei Ren
Course Description:
Cross-listed with EASN 209-01. This course provides a thorough introduction to the woodblock print Japans most celebrated artistic mediumfrom its emergence in the mid-17th century to the modern era. Technical developments, major genres, and master designers are explored within the context of the prints relationship to the urban culture of early modern and modern Japan. Topics including censorship, theatricality, the representation of war, nationalism, and Japonisme. Special emphasis is placed on an examination of habits of pictorial representation and protocols of viewing unique to the Japanese print medium. Lectures are supplemented by viewing sessions in the Trout Gallery.This course is cross-listed as EASN 209.
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03:00 PM-04:15 PM, TF
WEISS 235 |
| ARTH 221-01 |
Introduction to Photography
Instructor: Andy Bale
Course Description:
Cross-listed with FMST 220-01. An entry-level course in black-and-white photography emphasizing theory, history, and practice. Students learn how to create images, use cameras, develop film and make prints using conventional darkroom processes. Students will also be introduced to Photoshop as well as the basics of scanning and digital printing.
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09:30 AM-11:30 AM, TR
WEISS 327 |
| ARTH 221-02 |
Introduction to Photography
Instructor: Andy Bale
Course Description:
Cross-listed with FMST 220-02. An entry-level course in black-and-white photography emphasizing theory, history, and practice. Students learn how to create images, use cameras, develop film and make prints using conventional darkroom processes. Students will also be introduced to Photoshop as well as the basics of scanning and digital printing.
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01:30 PM-03:29 PM, TR
WEISS 327 |
| ARTH 223-01 |
Digital Studio 1: Image Manipulation and Experimental Processes
Instructor: Todd Arsenault
Course Description:
Cross-listed with FMST 220-05. This course will focus on 2-dimensional studio processes in the digital environment. It will also explore how digital processes can be used in conjunction with traditional processes like drawing, painting, and printmaking. The initial goal of this class will be to gain a thorough understanding of Adobe Photoshop for image manipulation. As the semester progresses, the class will explore uses of digital technology in contemporary art practice, including experimental processes. *Please note: this is not a photography course, some photo related processes will be part of the class, but those students looking for a more traditional approach to photography should consider the 221 Intro to Photography class. Prerequisite: 122, 221, or permission of the instructor.
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03:30 PM-05:30 PM, TR
GDYRST 101 |
| ARTH 226-01 |
Ceramic Sculpture
Instructor: Rachel Eng
Course Description:
This introductory course examines the principal attributes of sculpture with a focus on clay as the primary fabrication material. Students will examine a range of firing, glazing, and construction techniques. Satisfies 3D requirement for the studio art major.
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09:30 AM-11:29 AM, MW
GDYRST CERAMICS |
| ARTH 227-01 |
Fundamentals of Painting
Instructor: Emily Lehman
Course Description:
A basic studio course exploring the techniques, practices and history of painting and theories of color. Working from observation, subject matter will range from still-life and landscape to architecture and the figure.
Prerequisite: 122 or permission of the instructor.
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09:30 AM-11:29 AM, MW
WEISS 342 |
| ARTH 260-01 |
Sustainable Printmaking
Instructor: Todd Arsenault
Course Description:
This course will explore approaches to printmaking that make the practice environmentally sustainable in regard to materials. Conceptually, the course will utilize the United Nations Sustainable Development Goals as a starting point for making art that addresses issues related to the social, economic, and environmental aspects of sustainability. With this in mind, we will examine the challenges related to developing works of art that respond to challenging subject matter. The course will explore the fundamental areas of printmaking through the processes of engraving, screenprinting, woodcut, collagraph, and monotype among others. Digital process and computer manipulation will also be utilized.
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03:30 PM-05:30 PM, MW
WEISS 340 |
| ARTH 314-01 |
Contemporary Art
Instructor: Elizabeth Lee
Course Description:
This course addresses a period of artistic production from the late 1960s to the present. It showcases key artists and artistic movements within a broad historical framework, highlighting major issues and important debates. Some of the themes discussed in the course include the changing nature of artistic practice in recent decades; the intersection of the body in contemporary art with issues of gender, sexuality, ethnicity and race; the role of art in public spaces; the rise of new media; the place of art within galleries, museums and other art-world institutions; the global nature of contemporary art; and art as an agent of protest and social change. Assigned readings include a variety of art historical analyses, artist interviews and writings, essays by art critics and other writers with backgrounds in such areas as philosophy, gender studies and critical race theory.
Prerequisite: 102 or permission of the instructor.
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01:30 PM-02:45 PM, TF
WEISS 221 |
| ARTH 321-01 |
Advanced Drawing
Instructor: Todd Arsenault
Course Description:
A studio course to explore further, those issues covered in 122, but focusing on the creation of light and space. Landscape, architecture, still-life and the model will serve as subject matter. A large variety of media will be used, including pastel, monotype, ink, acrylic paint and charcoal.
Prerequisite: 122 or permission of the instructor.
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09:30 AM-11:30 AM, TR
GDYRST UPST |
| ARTH 323-01 |
Advanced Sculpture
Instructor: Anthony Cervino
Course Description:
Various sculpture media and studio processes will be explored including welding, casting, mold making, installation art, and expanded media as appropriate. An emphasis will be placed on technical and conceptual development to realize individual creative expressions.
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01:30 PM-03:30 PM, TR
GDYRST DOWN |
| ARTH 360-01 |
Advanced Wheelwork Ceramics
Instructor: Rachel Eng
Course Description:
Selected advanced studio techniques and concepts. The content of each course will be altered periodically.
Prerequisites: two studio art courses at the 100- or 200-level, or permission of the instructor.
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09:30 AM-11:30 AM, TR
GDYRST CERAMICS |
| ARTH 407-01 |
Art History Senior Seminar
Instructor: Shannon Egan
Course Description:
An intensive seminar wherein students conduct original research on selected works of art as part of curating a formal, public exhibition in The Trout Gallery. Research is directed towards interpretive essays that go through multiple writing revisions, resulting in a publishedexhibition catalogue edited by the seminar faculty member and Trout Gallery Staff, and designed by ºìÐÓÖ±²¥app Design Services Staff. Students work collaboratively as curators and contributors to the catalogue, and undertake a professional-level experience, most often reserved for graduate study or museum professionals. All of the senior majors' art historical knowledge and critical skills will be put to use in the Senior Seminar with the goal of further refining their ability to conduct advanced research and formal, polished writing.Prerequisite: Senior Art History majors only.
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10:30 AM-11:45 AM, TR
WEISS 219 |
| ARTH 410-01 |
Senior Studio Seminar, Part 1
Instructor: Rachel Eng
Course Description:
The first in a two-course sequence required for senior studio art majors. Critiques of students' work will include examination of timely topics in the visual arts and the relationship of the artist to society. Critiques, selected critical readings, museum visits and visiting artists will provide the basis for discussion.
Prerequisite: Majors only or permission of instructor. Co-requisite: One studio course.
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01:30 PM-04:30 PM, W
GDYRST DOWN |
| ARTH 500-01 |
Painting: Women in the Past and Present
Instructor: Todd Arsenault
Course Description:
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